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That Old Hoary
Chestnut Again (Sept 15)
There was no original intention of writing this
story; it came about in response to Adair Durie, a supposed mate of mine who never stops giving me a hard time
about my rating system and is worse than any Mormon knocking on your door
trying to convert you to some religion you don’t want to know about. Like any
gullible person, I ”let him in the door” by answering his first e-mail and the
(friendly) war of words commenced. In short, Adair “has found religion”
and besides trying to inflict the “hundred point belief” on me, he is just as
deluded in thinking that the TORB Rating System can be effectively converted to
the hundred point system; something he refuses to recognise is not the case.
In order to understand my response, first one
has to understand the inconsistencies in the hundred point system, let
alone the shortcomings and completely hollow foundation upon which it is
grounded. In terms of inconsistencies, one only needs to look at a few people’s
hundred point definitions. Up until a few years ago, Halliday used the hundred point
rating system outlined below. Notice, it was primarily
based
around the Australian Wine Show system
which is evident by Halliday’s definition of each points bracket.
Halliday’s old system
98 - 100 “perfection
which exists only as an ideal.”
94 - 97 “as close to
perfection as the real world will allow.”
90 - 93 “excellent
wine full of character; gold medal standard.”
85 - 89 “very good
wine; clear varietal definition/style; silver verging on gold medal standard.
80 - 84 “good fault
free, flavoursome; high bronze to silver medal standard.”
Below 80 point
wines are normally not reviewed.
About two or three years ago,
Halliday quietly changed his rating system from one that was based on the
Australian Wine Show system to one that appeared to be closer to
the world’s most influential user of a hundred point system,
Robert Parker.
Halliday’s new system
94 -
100 Outstanding.
Wines of the highest quality, usually with a distinguished pedigree.
90 - 93
Highly recommended. Wines of great quality, style and character, worthy of a
place in any cellar.
87 -
89
Recommended. Wines of above average quality, fault free and clear varietal
expression.
84 –
86 Fair
to good. Wines with plenty of flavour (usually varietal) and good balance; free
of technical faults.
80 –
83
Everyday wines: price is particularly relevant; under $10 will represent good
value.
75 – 79
Also tasted: usually wines with some deficiency, technical or otherwise.
In 2004, Jeremy Oliver who had previously
used the Australian wine shows 20 point system started converting his scores to
the hundred point system, and freely admitted factoring in Halliday’s system as
the basis of his new hundred point system. So in theory, the basis upon which they
both score wine should be very similar and on the surface, that may be the
case, but when you scratch below the surface, it is not as consistent as it may
first appear.
Sure the word
“Outstanding”
is used in both their top brackets and there is only one point difference in
where they start this bracket. The critical difference comes in the
descriptions used after the word “Outstanding”. Halliday refers to “highest
quality” whilst Oliver refers to a gold medal
standard, so Oliver has based his around the Australian Wine Show system, yet
Halliday’s new system walked away from mentioning the Australian Wine Show
standards. Under Halliday’s old system, a gold medal standard was 90 to 93
points but now under Oliver’s new system, it is 95+ points. The inconsistencies
between these two points systems don’t end with just gold medals and the top
bracket. The comparison to the Australian Wine Show system goes all the way
down to 85 in Oliver’s system, in which it is equivalent to a bronze medal; yet
under Halliday’s original scoring system 85 points was basically worth a silver
medal. So Halliday moved away from the show system as his basis, yet Oliver
bases his system on it, but uses Halliday’s system as a comparison check point;
confused? In reality it is not that confusing; it just illustrates some of the
inconsistencies in the hundred points system
Oliver’s
100 point scoring
95+
Outstanding –
Roughly equivalent to a gold medal 18.5 and above
90 -
94
Highly recommended, genuine class and character, silver medal.
87 -
89
Recommended, above average, without fault, solid bronze medal
84 –
86 Reasonably
good, free of technical faults, uncomplicated, just above or below bronze medal
status.
80 –
83
Everyday wines
75 –
79
Something went wrong.
If you examine the bottom number
in the rating chart used by
Halliday, Oliver
and other Australian writers, you will notice the bottom score is 75 and
that is given for wines that are “deemed to be defective;” so the reality is
you have a 25 point scale,
not a hundred point scale. Now in theory, Parker’s original hundred point scale was
based on the US
school marking system where exams were out of a hundred. As you can see from the
Parker scale (below) wines containing noticeable deficiencies score between 60
and 69 points; anything that “calls itself wine” automatically gets 50 points
just for the name. When I went to school, (and yes, despite my spelling and
grammar I did actually attend,) anything below 50 points was regarded as a
failure. Under the Australian system, you only need less than 80 points to be
regarded as a failure. Does this make sense? If it t does; it makes about as
much sense as the rest of the shortcomings of this system!
Finally, let’s examine the hundred
point system on which all others are supposedly based.
Parkers System
96 –100 Points are
“extraordinary wine of profound and complex character displaying all the
attributes expected of a classic wine of its variety.”
90 - 95 Points are
explained as “outstanding wine of exceptional complexity and character.”
80 - 89 Points are
deemed to be wines that are “barely above average to very good.”
70 - 79 Points are
described as “average wine with little distinction except that it is a soundly made.”
60 – 69 Points are
described as “a below average wine containing noticeable deficiencies.
In Australia today, by volume about 50% of the wine consumed
comes out of a cask so the higher quality cask wines would by definition, be
deemed to be average, and in theory, would be awarded 70 to 79 points using the
Parker scale. Yet under Oliver’s or Halliday’s scale this same cask wine would
be 80-83 points. But then when it comes to points, not many people care what
points cask wine is awarded anyway; and whilst this is not important to those
that drink quality wine, it does underlie one of the baseline inconsistencies
between hundred point rating scales. More importantly,
for the serious wine drinker if you examine the top end points, for a wine to be
“Outstanding” on Parker’s scale it would be a 90 to 95 point wine, yet under
Halliday scale the wines would need to be a minimum of 94 points, and under
Oliver’s 95 points and above. This perfectly illustrates that
not all hundred point scales are the same, even
when they are theoretically based on the same system.
I have purposely avoided going into detail about the folly
of trying to pin an objective absolute measurement on the completely subjective
personal taste involved in assessing wine.
So why is the 100 point system
so popular?
If you ask many
in the industry,
they will tell you it is because consumers want it and whilst that is true, in
some ways it’s a cop-out and a lame excuse. The industry loves the 100 point
system for one simple reason; it enables them to
prostitute the system and market the hell out of points. Some
retailers have come up with their own point system and invariably many of their
ratings are higher than even the most lenient scorers amongst the prominent
wine writers. The hundred point system enables retailers and wineries to sell
product, it certainly does not have the consumers’ best interests at heart. Those
selling wine will look for a review with the highest points and “market” the
heck out of those points.
If you ask a number of
professional
wine critics why they use the 100 point system they will tell you it is
what the consumer wants, but more importantly, their bottom line is impacted if
they don’t use it. That sounds fair enough doesn’t it, but there is another
side to this coin.
The majority of these
professionals
are part of the industry and those that use the 100 point system
as a matter of convenience (or to survive) are proving two things. Firstly,
they are “part of the problem” not part of the solution, and secondly, most of
them are using the 100 point system to make money rather
than out of ideological conviction. Consumers need to realise, that as
much as most of these professionals like to profess their independence and
impartiality, they rely on the industry to make a living and
without the industry quoting their point scores,
their chance of economic survival is slim.
If consumers “want points” as those in the industry state,
they are getting them “big time,” and whilst people are getting both what they
want and probably what they deserve, that may not necessarily be what is best.
That will sound condescending too many readers, but one brief example and the
logic will quickly become evident.
People want to save time by buying
take-away (in many cases junk) food, but is that food as nutritious as a home-cooked
meal using healthy, fresh ingredients? Probably not! Take away may be fine, and
it certainly does have advantages, especially as a short-term occasional thing,
but it is generally not as good as a real home cooked meal. So what is more
important, a quick fix or a better solution that takes a bit of time and
effort?
Consumers will make up their own mind and do what they want
to do but that does not mean there is not a better way.
Finally, as far as my mate Adair’s proposition that the TORB
System can be converted to the 100 point system, the only way that would happen
was if the 100 point system started at zero and good cask wine was worth 50
points. Even then, with the lesser number of possible ratings in the TORB
system, the equivalent 100 point score would always be a range rather than a
single number.
Copyright © Ric Einstein 2005
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